This simply means that the microphones actually point towards
the limits of the Stereophonic Recording Angle.
Don't forget to leave a certain amount of 'sideroom' on each side of the sound source,
except or course for an exceptionally wide sound source, such as a full orchestra.
There are of course many other combinations of distance and angle that produce this same SRA,
and of course many other combinations of distance and angle for other SRA values.
[Return to Previous Page]