Papers

STEREO: 1984 - 75th AES Convention, Paris, France - AES Preprint 2072  The Stereophonic Zoom - A Practical Approach to determining the characteristics  of a spaced pair of microphones » 1987 - 82nd AES Convention, London, UK - AES Preprint 2466  « Unified Theory of Microphone Systems for Stereophonic Sound Recording » 1990 - 88th AES Convention, Montreux, Switzerland - AES Preprint 2931  « Operational limits of the Variable M/S Stereophonic Microphone System » 1991 - 91st AES Convention, New York, USA - AES Preprint 3155  « Early Reflections and Reverberant Field Distribution In Dual Microphone  Stereophonic Sound Recording Systems » 1992 - 92nd AES Convention, Vienna, Austria – AES Preprint 3252 « Frequency Dependent Hybrid Microphone Arrays for Stereophonic Recording » SURROUND: 1991 - 91st AES Convention, New York, USA – AES Preprint 3157 « Microphone Arrays for Natural Multiphony » 1999 - 107th AES Convention, New York, USA - AES Preprint 4997 « Microphone Array Analysis for Multichannel Sound Recording » (co-author: Guillaume Le Dû) 2000 - 108th AES Convention, Paris, France - AES Preprint 5157 « Multichannel Microphone Array Design »(co-author: Guillaume Le Dû) 2000 - TMT21 - 21st International Tonmeister Symposium, Hanover, Germany « Loudspeaker Configuration and Channel Crosstalk In Multichannel Microphone Array Design » (co-author: Guillaume Le Dû) 2001 - 110th AES Convention, Amsterdam, The Netherlands - AES Preprint 5336 « The Quick Reference Guide to Multichannel Microphone Arrays Part 1: using Cardioid Microphones » (co-author: Guillaume Le Dû) 2002 - 112th AES Convention, Munich, Germany - AES Preprint 5567 « Multichannel Microphone Array Design Segment Coverage Analysis above and below the Horizontal Reference Plane » 2003 - 24th AES Conference, Banff, Canada « Multichannel Sound Recording Practice » A poster on « Multichannel Microphone Support Systems » 2004 - 116th AES Convention, Berlin, Germany - AES Preprint 6059 « The Quick Reference Guide to Multichannel Microphone Arrays Part II using Super Cardioid and Hypocardioid Microphones » (co-author Guillaume Le Dû) 2004 -117th AES Convention, San Fancisco, USA - AES Preprint 6230 « Multichannel Sound Recording using 3,4 and 5 channel arrays for front Sound Stage Coverage » 2005 - 118th AES Convention, Barcelona, Spain - AES Preprint 6373 « The Whys and Wherefores of Microphone Array Crosstalk in Multichannel Microphone Array Design » 2005 - TMT24 - 24th International Tonmeister Symposium « The Principles and Design Procedure for Multi-format-compatible icrophone Arrays » 2007 - 122nd AES Convention, Vienna, Austria - AES Preprint 7057 « Magic Arrays - Multichannel Microphone Array Design applied to Multi-format Compatibility 2008 - TMT25 - 25th Tonmeistertagung VDT International Convention Tutorial on « Microphone Array Design for Natural Sound Recording » (no preprint) 2008 - 124th AES Convention, Amsterdam, The Netherlands - AES Preprint 7480 « Migration of 5.0 Multichannel Array Design to Higher Order MMAD (6.0, 7.0 & 8.0) with or without the Inter-format Compatibility Criteria » 2011 - 131st AES Convention, New York, USA - AES Preprint 8461 « Computer Assisted Microphone Array Design (CAMAD) » 3D AUDIO: 2012 - 132nd AES Convention, Budapest, Hungary - AES Preprint 8601 « Microphone Array Design for Localization with Elevation Cues » 2012 - TMT27 - 27th Tonmeistertagung VDT International Convention « A 3D and Multiformat Microphone Array Design for the GOArt Project - 'The Organ as a Memory Bank’ » 2013 - 134th AES Convention, Rome, Italy - AES Preprint 8839 « The Psychoacoustic Testing of the 3D Multiformat Microphone Array Design, the Basic Isosceles Triangle Structure of the Array and the Reproduction Configuration » 2014 - 137th AES Convention, Los Angeles, USA - AES Preprint 9186 « Downward Compatibility Configurations when using a univalent 12 Channel 3D Microphone Array Design as a Master Recording Array » 2014 - TMT28 - 28th Tonmeistertagung VDT International Convention « Integral 3D recording and Reproduction » 2016 - 140th AES Convention, Paris, France - AES Preprint 9569 « Microphone Array Design applied to Complete Hemispherical Reproduction - from Integral 3D to Comfort 3D. » 2017 - Klingt Gut, 3rd International Symposium on Sonic Art and Spatial Audio, Hamburg University of Applied Sciences, HAW Hamburg, Germany 2022 - 152nd AES Convention, The Hague, The Netherlands - AES Preprint 10550 « MMAD – Designing for Height – Practical Configurations» [Return to Home Page]